Especially for my local friends. Mary Oliver’s “First Snow,” from the Improvised Life:
this morning and all day
continued, its white
calling us back to why, how,
whence, such beauty and what
the meaning; such
an oracular fever! flowing
past windows, an energy it seemed
would never ebb, never settle
less than lovely! and only now
deep into night,
it has finally ended.
and the heavens still hold
a million candles; nowhere
the familiar things:
the stars, the moon,
the darkness we expect
and nightly turn from. Trees
glitter like castles
of ribbons, the broad fields
smolder with light, a passing
heaped with shining hills;
and though the questions
that have assailed us all day
remain–not a single
answer has been found–
walking out now
into the silence and the light
under the trees,
and through the fields,
feels like one.
Yes… yes. I needed this. Today would have been my father’s 66th birthday. It is a rock-em-sock-em day… but in the midst of it, I will remember him.
God, I am rushing, just brushing by, passing
my life on the street without greeting,
breathless and ceaseless,
skimming my life without taking it in,
distracted and fractured and shallow.
Be the lead in my life,
the molasses, the waist-deep snow.
Be the awkward weight, the icy walk,
the dark room with rearranged furniture
that forces me to go slow and pay attention.
Give me a weak heart, a breathing condition
that makes me pause now and then
and begin again, slowly.
Be my fine print, a foreign language
so I lean forward, listening to each word.
Be the unseen voice for which I look around,
the smell of baking bread
that makes me back up to an open door.
Be my stillness, my Sabbath, my stopping,
the Enough that it is to be here.
Even as I go, give me courage to give up,
to accomplish nothing,
to get deeply, truly nowhere at all
It’s Thursday evening and I am just back from Birmingham, where I had a book event and also preached at the Presbytery of Sheppards and Lapsley. I’ll post that sermon to the NEXT Church website early next week and link to it here. It was a fun trip—got to hang out with Elizabeth, one of my favorite seminary peeps and a dear friend. So I’m happy, but tired.
To cook or not to cook thus becomes a consequential question. Though I realize that is putting the matter a bit too bluntly. Cooking means different things at different times to different people; seldom is it an all-or-nothing proposition. Yet even to cook a few more nights a week than you already do, or to devote a Sunday to make a few meals for the week, or perhaps to try every now and again to make something you only ever expected to buy — even these modest acts will constitute a kind of vote. A vote for what exactly? Well, in a world where so few of us are obliged to cook at all anymore, to choose to do so is to lodge a protest against specialization — against the total rationalization of life. Against the infiltration of commercial interests into every last cranny of our lives. To cook for the pleasure of it, devote a portion of our leisure to it, is to declare our independence from the corporations seeking to organize our every waking moment into yet another occasion for consumption. (Come to think of it, our non waking moments as well: Ambien anyone?) It is to reject the debilitation notion that, at least while we’re at home, production is work done by someone else, and the only legitimate form of leisure is consumption. This dependence marketers call “freedom.”
The funeral will be led by Rev. Curt Moore of Orlando, Florida, a questionable choice for any spiritual event, but one the family felt would be appropriate due to the fact that every time Toni heard Curt preach she prayed for Jesus to return at that very moment.
On a last but serious note, the woman who loved life and taught her children to ‘laugh at the days to come’ is now safely in the arms of Jesus and dancing at the wedding feast of the Lamb. She will be missed as a mother, friend and grandmother. Anyone wearing black will not be admitted to the memorial. She is not dead. She is alive.
H/t The Dish, which highlighted this piece that I found astounding:
How a group of 12-year-olds in a Calcutta slum improved their community:
Like so many slum neighborhoods, the notorious Nehru Colony doesn’t officially exist, meaning it has no access to government services such as sanitation and electricity. The youngsters set out to literally put themselves on the map. They went door to door, taking photos with their mobile phones, registering residents and detailing each child born in the colony. Information is then sent by SMS text to a database that links the data to a map hand-drawn by the kids, which is overlaid to GPS coordinates. By registering their existence on Google Maps the group has doubled the rate of polio vaccination from 40% to 80%, decreased diarrhea and malaria rates in the slum, and is lobbying for electricity.
This made the rounds, and rightly so. The billboard displays a different message depending on how tall you are:
The secret behind the ad’s wizardry is a lenticular top layer, which shows different images at varying angles. So when an adult—or anyone taller than four feet, five inches—looks at it they only see the image of a sad child and the message: “sometimes, child abuse is only visible to the child suffering it.” But when a child looks at the ad, they see bruises on the boy’s face and a different message: “if somebody hurts you, phone us and we’ll help you” alongside the foundation’s phone number.
The ad is designed to empower kids, particularly if their abuser happens to be standing right next to them.
Eve Mirriam, a native of Philadelphia, captures something of the beauty of not just poetry but also, I think, creativity itself.
She invites us to consider making two moves: the first is attentiveness. Trace it’s shape, pay attention to its movement, follow its life, chew and smell and see and feel all you can about that thing that fascinates you.
Can you believe this is my 108th Link Love? That’s about 2 years of collecting bits and pieces of stuff. Like a magpie. I should probably go on hiatus at some point. Don’t want to get stuck in a rut. Maybe this summer.
After filling me in on some of the latest and greatest ideas she’s had about the church she leads, she stopped and said, “You know, you’re about the only person I know who doesn’t think I’m crazy when I talk this way.”
“Actually,” I replied with a smile, “I think you’re crazy too. But the church needs crazy right now.”
…My friend is perceived as a little crazy. She’s not content with the same old thing, only better. She wants something new. So she has the youth of her church lead worship and participate in the sermon. She doesn’t do confirmation anymore, but instead finds ways to gather her youth around conversations about faith, life, and life lived faithfully. And this summer they’re not singing hymns at her church, but pop songs. And talking about popular YouTube videos. And other crazy stuff.
On that note… maybe this is an example of the good kind of crazy, albeit from another era:
The First Lutheran Church of Oklahoma City dug up and opened its Century Chest, a time capsule that was buried under the church 100 years ago.
The artifacts inside the copper chest were remarkably well intact. Credit for that goes to the church’s Ladies Aide Society, the group that buried the capsule a century ago. The group buried the chest in double concrete walls and under 12 inches of concrete, according to Fox News.
As my friend Alex Hendrickson said, ”Varsity level church ladies.” Seriously.
My favorite class in seminary was The Preacher and the Poet, so Robert sent this to me with the subject line “MaryAnn bait.”
I read a lot of theology, both for my degree and for my professional track, and sometimes I think poetry, whether or not it’s explicitly religious, is one of the best modes that theology, or talking about God, can take. … Poetry is a form where the language is under so much pressure, and that can really bring about these wonderful surprises and insights in our ways of talking about God or thinking about our faith.
The author describes the experience of having a newborn and always having to think about the next thing. Ohhhh yeah. That kind of extreme time maximization is part of what led us to Sabbath, when we can turn off (or at least mute) those endless calculations:
I was always planning ahead for the next step of the operation. It’s breakfast time. Eat because we have to get dressed! Get dressed because we have to go to baby class! Finish baby class so we can get home for nap! Get nap started so I can have writing time! Hurry, hurry through writing before the baby wakes up! Get ready so we can go to the park! Finish up at the park so we can get home so I can make dinner! And on and on…We were still on that hamster wheel, still always urgently moving forward to the next item on the agenda.
It wasn’t my schedule that was the problem. It was the fact that during every activity we engaged in, my mind was already on the next one.
Another one I shared earlier this week, but dang, I like it:
To have faith in a religion, any religion, is to accept at some primary level that its particular language of words and symbols says something true about reality. This doesn’t mean that the words and symbols are reality (that’s fundamentalism), nor that you will ever master those words and symbols well enough to regard reality as some fixed thing. What it does mean, though, is that you can ‘no more be religious in general than [you] can speak language in general’ (George Lindbeck), and that the only way to deepen your knowledge and experience of ultimate divinity is to deepen your knowledge and experience of the all-too-temporal symbols and language of a particular religion. Lindbeck would go so far as to say that your religion of origin has such a bone-deep hold on you that, as with a native language, it’s your only hope for true religious fluency. I wouldn’t go that far, but I would say that one has to submit to symbols and language that may be inadequate in order to have those inadequacies transcended.
This is true of poetry, too: I don’t think you can spend your whole life questioning whether language can represent reality. At some point, you have to believe that the inadequacies of words you use will be transcended by the faith with which you use them. You have to believe that poetry has some reach into reality itself, or you have to go silent. – Christian Wiman, “Notes on Poetry and Religion,” from Ambition and Survival: Becoming a Poet.
We are rarely presented with an authentically fulfilling trajectory for our desires… If we are created for infinite satisfaction, we really only have three choices about what to do with our desire in this life: We will become either a stoic, an addict, or a mystic. The stoic squelches desire out of fear, while the addict attempts to satisfy his desire for infinity with finite things, which, of course, can’t satisfy. That’s why the addict wants more and more and more. The mystic, on the other hand — in the Christian sense of the term — is the one who is learning how to direct his desire for infinity toward infinity,” - Christopher West, whose new book is Fill These Hearts.
Incubation breaks boosted creative performance, but only when the time was spent engaged in a different kind of mental activity. Participants who in the break switched from verbal to spatial, or from spatial to verbal, excelled when they returned to their main task – in terms of the number and quality of their solutions. The change in focus freed up their unconscious to spend the incubation period tackling the main challenge.
Highly recommend running, for people with the knees for it.
Follow the thread. Each of us has a unique unfolding story and call in this world. We don’t “figure this out” but rather we allow the story to emerge in its own time, tending the symbols and synchronicities that guide us along. Trust in what you love. Following the thread is essentially about cultivating a deep trust in what you love. What are the things that make your heart beat loudly, no matter how at odds they feel with your current life (and perhaps especially so)? Make some room this year to honor what brings you alive.
Nina Katchadourian whiles away long plane journeys by locking herself in the lavatory and pretending to be a 15th century Dutch painting. The project began spontaneously on a flight in March 2010 and is ongoing…
I do think about the line forming outside the door while she’s doing this, but: