Book Two in Process!

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I’ve been working for the past few months on a proposal for my second book. Of all the things I’ve written recently, it’s given me the most energy. I’ve had a blast working on it.

I’m happy to say that the folks at William B. Eerdmans caught the enthusiasm too. Tentatively titled Improvising with God, the book will explore improv as a spiritual practice and a metaphor for our lives. The manuscript is due in September (yikes!), with a release date in 2017.

Here’s a bit of the proposal:

In recent years, actors such as Tina Fey, Amy Poehler, and Stephen Colbert have written and spoken about improvisation and its impact on their work. The cardinal rule of improv is to say “Yes-and” on stage—to accept what is offered by your co-actors and build on it. As Colbert explains in a 2006 commencement address to Knox College: “They say you’re doctors, you’re doctors. And then you build on it: ‘We’re doctors, and we’re trapped in an ice cave.’” In this way, improv becomes a process of mutual discovery. Neither person is in control, but nor are they passive. Improv is an active, intuitive process.

The principle of “Yes-and” can produce great entertainment, as the success of improv programs such as Whose Line Is It Anyway? can attest. But it’s also an invigorating approach to life in general, and the spiritual life in particular. Some of the basic questions of faith include “Where is God? How do I understand God’s work in the world? How am I called to participate in that work?” As I study scripture and engage in my work as a pastor and spiritual leader—and as a seeker myself—the answers that make the best sense to me are grounded in improv.

From Moses to Ruth to Jesus, scripture is full of people saying “Yes-and,” pivoting in unexpected directions, and making the most of difficult or even devastating circumstances. Even God seems to work improvisationally—experimenting, changing God’s mind, and working in partnership with God’s people to bring about the “Yes-and” that’s at the heart of improv—and also the gospel. This book will explore these ideas in depth and provide concrete spiritual exercises to help people live a more awake, creative, improvisational life.

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This book is not about learning the craft of improv so you can get on stage and make people laugh.

It’s about what you do when your life turns out very differently than the plan.

It’s for the parents whose young son gets hit with a dire medical diagnosis out of nowhere.

It’s for the woman whose husband informs her after 35 years of marriage that it’s over.
Or for the person who marries late in life, having never expected to find a life partner.

It’s for the college student trying to figure out what to do with the rest of his life when he doesn’t get into law school—or when he does.

But it’s also for people facing the small decisions we make everyday: What deserves my time and attention today? How can I make the most of limited time, energy and resources? What does a life of “faithful flow” look like?

This is really a book for all of us, especially those of us who like to hold on to every bit of control we can, even when that control is an illusion or gets in our way. (I’ve thought about calling the book Improv for Control Freaks.) While planning certainly has its place, often life calls us to deeper work—to open our eyes to the world as it is, embrace it (which isn’t always the same as liking it), and build on it.

When I submitted the proposal to Eerdmans in January, I wrote, “I’m so excited about this book and can’t wait to continue working on it. I hope it’ll be with you guys, but if not, this book has a life of its own and is demanding that I write it.”

That’s a great feeling, and I can’t wait to share it with you.

In the meantime, thanks for reading, and for being along this journey with me.

~

Image is a photo of an improv quilt by Eli Leon, photographed by Sherri Lynn Wood and used under a creative commons license. For more about Eli’s work, click here.

11 thoughts on “Book Two in Process!

  1. anne shotwell

    the quilt reminds me of the quilt exhibit i saw a few years ago at the chrysler museum in norfolk—the quilts of gee’s bend.

    and i can just envision what fun retreats you will lead on the relationship between improv and faith/spirituality.

    the proposal gave me goosebumps. you go, girl!

    Reply
  2. Sarah Erickson

    Huzzah. Can’t wait. Still interested in doing something with you on this. Working on a NL event for 17-18…yes and to texts? Hmmm….

    Reply
  3. Ted Chadeayne

    I’m unfamiliar with your term “faithful flow”. I think I like it! It reflects both an immediacy of improvising life. (“Do not worry about tomorrow, for tomorrow will worry about itself,” as a very wise man once said.) But it also implies a sense of direction; we are flowing upon a gentle river toward home. So the term encompasses both a spontaneous, inventive outlook on life and an assurance of Providence. Did you come up with the phrase?

    I look forward to reading your work!

    Reply
  4. Kate

    Love the “Improv for Control Freaks” title, but you’ll sell more books with “Improvising with God”. I understand why this book has its own momentum. Trial Work requires fast footwork- a lot of improvising! Are you sure you don’t want to go to law school? Justice and improv coursing through your veins…? All the Best– another best seller — no pressure. Smile and write.

    Reply
  5. Megan DeMoss

    Have you heard about the Confidential Musical Theatre project? A former co-worker just alerted me to its existence. Improv on the high wire!
    =======================================
    http://www.confidentialmusicaltheatreproject.com/

    We choose a musical that doesn’t get done very often, but should.
    We cast the musical with the best performers possible regardless of age, race, body type or gender, both Equity and non-Equity together.
    We get them their scripts and scores and ask them to familiarize themselves with their role(s).
    We ask them not to reveal the title of the musical or their role in it to anyone.
    With NO rehearsals, we all meet for the first time on the night of the performance and start the musical.
    The challenge for the performers: create an ensemble on their feet in front of an audience.
    The audience shows up without knowing what show they’re going to see.

    The only rule: We don’t stop – no matter what happens.

    Reply
    1. MaryAnn McKibben Dana Post author

      That Sounds Awesome.

      Isn’t this what we do with life? Bring our own stuff to the table and try to make it work with everyone else.

      I’m going to spend some of my grant money to go and see one of these shows. Would love to interview some of them too.

      Thanks Megan!

      Reply

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